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Angela Su’s True Calling
© » KADIST

Angela Su

Film & Video (Film & Video)

Produced in an interview format and as an extended chapter of Cosmic Call (2019) in the KADIST Collection, Angela Su’s True Calling by Angela Su documents the artist’s answers to a series of questions on the conception of her 2019 film that proposes speculative cosmic synchronicities for an alternative understanding of epidemics that is not built on the foundation and authority of Western medical science. Set in Hong Kong, each of the locations draw connections to places commonly tied to dominant disease outbreak narratives, such as a bustling wet market with butchers handling and selling raw meat products and the Hong Kong West Kowloon Railway Station, a cross-boundary transport terminus that sees a high traffic footprint and directly linking Hong Kong’s city center to Mainland destinations without interchange. As the artist travels around the city, she observes systems of surveillance such as police officers patrolling, security cameras, and an encircling helicopter, all playing an important role in managing the population and instating health security.

Cosmic Call
© » KADIST

Angela Su

Drawing & Print (Drawing & Print)

In the first part of Cosmic Call by Angela Su the voiceover proposes in a neutral, documentary-like tone, a series of stories to rethink the way we usually understand, justify, or place blame for epidemiological events. Comets carrying an infective bacterium are linked with the invasion of viruses—our current nemeses—coming from outer space. Second-century BCE medicinal writings correlated the appearance of 29 comets over 300 years with events including plague and drought.

Chimeric Antibodies 1 and 3
© » KADIST

Angela Su

Drawing & Print (Drawing & Print)

From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations. Yet, upon closer look, sexual organs and imagined human and plant elements start becoming recognizable, and realistic. Each intricate, large-scale drawing indeed mixes human body parts, machines and other organic constructions as they become intertwined and inseparable.

Les Etoiles du Nord (Northern Stars)
© » KADIST

Angela Detanico and Rafael Lain

Film & Video (Film & Video)

Letters of the Greek alphabet glisten on a black background. When a letter appears, there is a sound. Each letter corresponds to a star in the sky.

Masks (Merkel F6.1)
© » KADIST

Simon Fujiwara

Painting (Painting)

Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face. Masks (Merkel F6.1) was created in consultation with Merkel’s personal make-up artist; it features the special makeup that Merkel wears for HD cameras applied onto canvas. The image has been magnified to a near-microscopic level, rendering an ambiguous skin tone across which the makeup’s denser patches produce an abstract composition.

Freeway Series
© » KADIST

Catherine Opie

Photography (Photography)

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.

A poem written by 5 poets at once (first attempt)
© » KADIST

Koki Tanaka

Film & Video (Film & Video)

This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013. These videos show several participants from different backgrounds gathering to create and object or an action. For this video, he brought together five Japanese poets from different movements and styles.

Untitled #1 #2 #3
© » KADIST

Piero Golia

Sculpture (Sculpture)

Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall. More than a simple reference to the sport, the work has the disconcerting effect of creating a danger zone in the gallery space. The reference to direct aggression or violence is reinforced by the piece’s rapid pace.

Splinters and Seconal
© » KADIST

Ed Ruscha

Painting (Painting)

In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.

Raven (gun)
© » KADIST

Catherine Opie

Photography (Photography)

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain. She wears an expression of both pleasure and intensity as she points a gun at someone or something outside of the frame. Raven (gun) (1994) is not so much threatening as full of sexuality and potential energy.

California Stories Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975)
© » KADIST

Allan Sekula

Photography (Photography)

San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel. California Stories: Attempt to correlate social class with elevation above main harbor channel (San Pedro, July 1975) (1973–2011) is a series of coupled gelatin silver prints that show the artist using his hand to measure the elevation of various pieces of real estate, ranging from a manicured mansion to a ramshackle beach house. A direct equation becomes evident between the social strata these homes represent and the height at which the artist holds his hand.

Alistair Fate
© » KADIST

Catherine Opie

Photography (Photography)

Alistair Fate (1994) depicts, presumably, a member of the LGBT community. Catherine Opie is known for her portraits of LGBT, queer, and outsider people; she intends them to come off not as shocking or different, but as human despite their deviance from societal norms. This image is one of several works by Opie in the Kadist Collection that show marginalized people, filtered through the artist’s signature appropriation of formal and classical portraiture in the interest of both documentation and reframing.

Radical Hospitality
© » KADIST

Andrea Bowers

Sculpture (Sculpture)

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely. Meant to hang from the ceiling, Bowers’ neon is further weighed down by long wind chimes made of aluminum pipes and wooden wind catchers that drip unsteadily from their anchors. Poetic but frantic in its juxtapositions, Bowers’ work captures a certain paradoxical energy that echoes the current political climate—it is hopeful but hindered, cacophonous but well intentioned, uncertain but ominous.

Arms & Legs (Specif. Elbows & Knees), etc.: Arm (with Bottle)
© » KADIST

John Baldessari

Photography (Photography)

Arms & Legs (Specif. Elbows & Knees), etc. : Arm (with Bottle) belongs to Baldessari’s most recent series of paintings in which the artist brings together photographic, painted, and three-dimensional elements, to juxtapose unlikely body fragments such as noses and ears, elbows and knees, or eyebrows and foreheads.

Eniko Mihalik
© » KADIST

Jeff Burton

Photography (Photography)

In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror. They are both two examples of the artist’s many enigmatic photographs of models, actors, musicians, and other powerful figures rooted in the celebrity-driven culture of Los Angeles. Catching a glimpse of the model, the viewer enters into the world of the celebrity.

Mike and Sky
© » KADIST

Catherine Opie

Photography (Photography)

Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender. The very practice of being photographed raises many complex issues around gender performance and the relationships between an inner self and an outer public persona. Even though Mike and Sky are cropped and obscure one another, many of their choices for self-presentation—as emphasized by their tattoos—remain visible.

Fedex® Large Kraft Box 2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#875468976062, September 9-14, 2011, International Priority, Bejing-London trk#874594463978, March 13-15, 2012, International Priority, London-San Francisco, trk#777001529227, August 16-18, 2016, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

Sculpture (Sculpture)

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.

Untitled (Blue Chapel)
© » KADIST

Robert Therrien

Painting (Painting)

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.

A meditation on the possibility…
© » KADIST

Daniel Joseph Martinez

Sculpture (Sculpture)

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P. Newton and Bobby Seale. By using Carrara marble, a material usually associated with heroic public sculptures, Martinez casts the history of African-American revolutionaries into the artistic tradition of monumentality. Like the artist’s earlier work included in the 1993 Whitney Biennial, an interactive piece made up with pins that read, “I CAN’T IMAGINE EVER WANTING TO BE WHITE,” A meditation on the possibility… continues Martinez’s effort to expose cultural contradictions and increase public awareness.

Negligee
© » KADIST

Jeff Burton

Photography (Photography)

Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous. Like much of Burton’s work, Negligee reflects both his experience as a commercial photographer and his interest in the voyeurism, desire, vulnerability, and power of the photographic act.

The Breaks
© » KADIST

Juan Capistran

Photography (Photography)

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery.

Acting Exercise: Demon Possession
© » KADIST

Miljohn Ruperto

Film & Video (Film & Video)

Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth. Set in an empty, derelict room with nothing but an old mattress on the floor, the film features a series of actors independently performing a demonic possession, or at least their interpretation of what one would look like. Although each reenactment is slightly different, actor after actor, the viewer is confronted with a common thread: a near archetypal response that binds them all together.

Untitled (Miller House, #02)
© » KADIST

Luisa Lambri

Photography (Photography)

Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California. Commissioned by industrialist J. Irwin Miller and his wife Xenia Simons Miller, and built by Richard Neutra in 1937, the Miller house’s open and flowing layout expands upon modernist architectural traditions. It features a flat roof, stone and glass walls, with rooms configured beneath a grid pattern of skylights and supporting cruciform steel columns.

I used to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance
© » KADIST

Daniel Joseph Martinez

Photography (Photography)

For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied. Against a bare white background, the men appear unexpectedly vulnerable, caught between performance and rehearsal, public and private. While they present themselves deliberately as exemplars of strength, they also inadvertently expose something about the value system that underlies their endeavors—whatever drove them to keep building by tearing tissue, and whatever makes flexing feel like the most honest pose possible.

Untitled (Sten-Frenke House #04)
© » KADIST

Luisa Lambri

Photography (Photography)

Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon. Designed by the architect Richard Neutra, its gray glass, white expanses, and simple forms exude austerity. Luisa Lambri’s photograph Untitled (Sten-Frenke House #04) (2007)recalls the unembellished elegance of the structure while also alluding to modernist painting; the image is less a picture than an abstract expanse that conveys its own flatness.

8 Ball Surfboard
© » KADIST

Alexis Smith

Sculpture (Sculpture)

In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage. The surfboard, an emblem of Southern California, emblazoned with the image of an eight-ball, references numerous tropes and clichés of American popular culture, specifically subcultures related to pool halls, surfing, and beaches. Indeed, this model-scale surfboard may be a future pop-culture relic, referencing a particular surfer or era of board design.

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910)
© » KADIST

Walead Beshty

Photography (Photography)

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram. Bold shapes, and the breaks between them, create a rhythm and compose an engaging abstract image. At the same time, the work deals with the conditions of the photograph’s manufacture.

Catherine Opie

Mungo Thomson

Walead Beshty

Paul McCarthy

Miljohn Ruperto

John Baldessari

Ed Ruscha

Daniel Joseph Martinez

Angela Su

Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...

Luisa Lambri

Koki Tanaka

Chris Johanson

Alexis Smith

Andrea Bowers

Clarissa Tossin

Jedediah Caesar

Jeff Burton

Mark Grotjahn

Angela Detanico and Rafael Lain

Linguists, semiologists, and graphic designers by training, Angela Detanico and Raphaël Lain consider the use of graphic signs in society...

Julian Hoeber

Edward Kienholz

Martine Syms

Karl Haendel

Piero Golia

Sarah Conaway

Mario Ybarra Jr.

Nathan Mabry

Chadwick Rantanen

© » ARTSY

about 3 months ago (02/12/2024)

How Family-Run Galleries Handle Succession | Artsy Skip to Main Content Advertisement Art Market How Family-Run Galleries Handle Succession Maxwell Rabb Feb 12, 2024 1:00PM Portrait of Cristobal Riestra...

© » THEARTNEWSPER

about 3 months ago (02/12/2024)

Simon Lee gallery’s £10m debt revealed in insolvency report Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news Simon Lee gallery’s £10m debt revealed in insolvency report Records show the London gallery owes artists more than £1m—while US dealer Stefan Simchowitz demands return of consigned works Kabir Jhala 12 February 2024 Share Administrators BDO determined that Simon Lee Gallery has 153 creditors, from individuals to companies Courtesy of Simon Lee Gallery and London Gallery Weekend A proposal prepared by the insolvency practitioners managing the administration of Simon Lee gallery (SLG) reveals a fuller picture of the business’s debt while prompting further questions around its past dealings...

© » ARTOMITY

about 3 months ago (02/07/2024)

ITALY: A New Collective Landscape at HKDI Gallery – ARTOMITY 藝源 100 Italian designers under 35 / ITALY: A New Collective Landscape Jan 19 – May 19, 2024 / Curated by Angela Rui / HKDI Gallery Hong Kong Design Institute 3 King Ling Road, Tseung Kwan O Northern Territories, Hong Kong +852 3928 2566 Wednesday – Monday, 10am – 8pm hkdi.eu.hk Fresh off its successful debut at Milan’s ADI Design Museum last year, the touring exhibition is on display at HKDI Gallery...

© » SLASH PARIS

about 4 months ago (01/12/2024)

Prix Marcel Duchamp — 2024 — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Prix Marcel Duchamp — 2024 — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Prix Marcel Duchamp — 2024 Exhibition Mixed media Upcoming Prix Duchamp 2024 © ADIAF, photographies : DR Prix Marcel Duchamp 2024 In 8 months: October 12, 2024 → January 12, 2025 Dates et lieu d’exposition provisoires L’ADIAF a dévoilé le 10 janvier 2024 les noms des quatre artistes en lice pour la 24ème édition du Prix Marcel Duchamp, prix majeur de l’art contemporain en France venant célébrer les artistes en milieu de carrière...

© » SLASH PARIS

about 4 months ago (01/12/2024)

Prix Marcel Duchamp — 2024 — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Prix Marcel Duchamp — 2024 — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Prix Marcel Duchamp — 2024 Exposition Techniques mixtes À venir Prix Duchamp 2024 © ADIAF, photographies : DR Prix Marcel Duchamp 2024 Dans 8 mois : 12 octobre 2024 → 12 janvier 2025 Dates et lieu d’exposition provisoires L’ADIAF a dévoilé le 10 janvier 2024 les noms des quatre artistes en lice pour la 24ème édition du Prix Marcel Duchamp, prix majeur de l’art contemporain en France venant célébrer les artistes en milieu de carrière...

© » ART PIL

about 4 months ago (01/08/2024)

Victoria Razo is a freelance documentary photographer born in the Port of Veracruz, Mexico...

© » HYPERALLERGIC

about 5 months ago (12/13/2023)

Hyperallergic’s Art Book Gift Guide Skip to content We’re not sure what we like more — giving or getting books — but we do know they make perfect presents...

© » ANOTHER

about 5 months ago (12/12/2023)

Angela Hill’s Emotional Portrait of Her Daughter’s Adolescence | AnOther IDEA co-founder Angela Hill’s latest photo book, Edith, captures two decades of her daughter’s life as she navigates the rocky trials of adolescence December 04, 2023 Text Millen Brown-Ewens This time last year, IDEA co-founder Angela Hill had just released the independent publisher’s most personal publication to date: the first book of her own photography...

Ed Ruscha
© » ART & OBJECT

about 5 months ago (12/12/2023)

Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » THEARTNEWSPER

about 5 months ago (12/09/2023)

Ron DeSantis’s ‘war on woke’ goes to college Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature Ron DeSantis’s ‘war on woke’ goes to college The Florida governor’s recent education reforms are damaging arts and humanities programmes across the state—but educators and students are fighting back Carolina Ana Drake 9 December 2023 Share Art student Annie Dong’s mural at the New College of Florida was one of five that were painted over by a new politicised college administration Courtesy of the artist Colleges and universities throughout Florida have been feeling the weight of Governor Ron DeSantis’s “war on woke,” a politically conservative plan to reform the state’s public education system that many see as an assault on academic freedom...

© » OBSERVER

about 5 months ago (12/09/2023)

A Guide to Miami Art Week Satellite Fairs and Shows | Observer Art Miami and Art Basel Miami Beach 2023 are in full swing, with all the associated parties, pop-ups and sundry events, including everything from concerts by Diplo and Lil Wayne to the opening of a temporary Murakami x BLACKPINK collab shop to the “Patina Experience” (an exhibition of the world’s largest Mercedes collection)...

Mark Grotjahn
© » CONTEMPORARYARTDAILY

about 5 months ago (12/08/2023)

November 3 – December 20, 2023...

© » MODERN MET PHOTOGRAPHY

about 5 months ago (12/05/2023)

Action-Packed Winners of the 2023 Red Bull Illume Awards Home / Photography / Photo Contest Action-Packed Winners of the 2023 Red Bull Illume Image Quest By Jessica Stewart on December 5, 2023 Overall Winner & Winner, Innovation by MPB, Photographer: © Krystle Wright / Red Bull Illume, Athlete: Angela VanWiemeersch, Location: Long Canyon, UT, United States “Turns out by slowing down life and embracing boredom again into my life, my dreams have come back that ignite new passion projects...

© » ARTSY

about 5 months ago (11/22/2023)

Exploring Canyon Road, Santa Fe’s Timeless Gallery District | Artsy Skip to Main Content Advertisement Art Market Exploring Canyon Road, Santa Fe’s Timeless Gallery District Annie Lyall Slaughter Nov 22, 2023 4:49PM Installation view of “Transcendent” at Turner Carroll, 2023...

Catherine Opie
© » ROYAL ACADEMY

about 7 months ago (10/05/2023)

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

© » SLASH PARIS

about 8 months ago (09/13/2023)

Une Assemblée de poète.sse.s civiques — A Convening of Civic Poets — KADIST — Exhibition — Slash Paris Login Newsletter Twitter Facebook Une Assemblée de poète.sse.s civiques — A Convening of Civic Poets — KADIST — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Une Assemblée de poète.sse.s civiques — A Convening of Civic Poets Exhibition Drawing, installation, poetry Marion Scemama & David Wojnarowicz, Last Night I Took a Man, 1989 (extrait) Courtesy des artistes, collection KADIST Une Assemblée de poète.sse.s civiques A Convening of Civic Poets Ends in about 2 months: October 6, 2023 → February 4, 2024 Une assemblée de poète.sse.s civiques — Fondation Kadist La fondation Kadist présente une exposition engagée et engageante qui répond à l'énergie de son sujet, l'intervention poétique dans.....

© » SLASH PARIS

about 8 months ago (09/13/2023)

Une Assemblée de poète.sse.s civiques — A Convening of Civic Poets — KADIST — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Une Assemblée de poète.sse.s civiques — A Convening of Civic Poets — KADIST — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Une Assemblée de poète.sse.s civiques — A Convening of Civic Poets Exposition Dessin, installations, poésie Marion Scemama & David Wojnarowicz, Last Night I Took a Man, 1989 (extrait) Courtesy des artistes, collection KADIST Une Assemblée de poète.sse.s civiques A Convening of Civic Poets Encore environ 2 mois : 6 octobre 2023 → 4 février 2024 Une assemblée de poète.sse.s civiques — Fondation Kadist La fondation Kadist présente une exposition engagée et engageante qui répond à l'énergie de son sujet, l'intervention poétique dans.....

© » SLASH PARIS

about 16 months ago (01/14/2023)

Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Prix Marcel Duchamp — 2023 Exposition Techniques mixtes À venir Prix Marcel Duchamp 2023 — Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani © ADIAF Prix Marcel Duchamp 2023 Dans 9 mois : 2 octobre 2023 → 2 janvier 2024 Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani sont les quatre artistes nominés par un comité de sélection composé de onze collectionneurs de l’ADIAF pour l’attribution du 23e Prix Marcel Duchamp...

© » AMERICANSFORTHEARTS

about 19 months ago (10/15/2022)

Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Hello Guest | Login Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Friday, October 14, 2022 Americans for the Arts mourns the loss of beloved Artists Committee member Dame Angela Lansbury , who passed away in her Los Angeles home on October 11, 2022, at the age of 96...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Runaway Art Heiress Angela Gulbenkian, Accused of Scamming a Collector Out of a $1.4 Million Yayoi Kusama Pumpkin, Has Been Arrested in Lisbon - via artnet news...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Angela Gulbenkian allegedly pocketed £1,143,656.25 in payment for a piece called the 'Kusama pumpkin' by Yayoi Kusama but never handed over the item....

Ed Ruscha
© » LARRY'S LIST

about 19 months ago (10/05/2022)

The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....

© » ARTSY

about 26 months ago (03/04/2022)

Collector Beth Rudin DeWoody on Curating Her 10,000+ Piece Art Collection - Artsy Advertisement Art Market Collector Beth Rudin DeWoody on Curating Her 10,000+ Piece Art Collection Sandra Hale Schulman Mar 4, 2022 4:46pm Portrait of Beth Rudin DeWoody...

© » ARTS EQUATOR

about 50 months ago (03/12/2020)

Eko Supriyanto’s "IBUIBU BELU": Uncomfortable Questions | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Hideto Maezawa March 12, 2020 By Sharmilla Ganesan (754 words, 4-minute read) As the five women onstage came silently together in a halt, spot lit and wrapped once more in the tenun textile they had first appeared in, there was an initial hush...

© » ARTS EQUATOR

about 56 months ago (09/28/2019)

Music as a love language: "Love! Be: Sing;" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of SYC Ensemble Singers September 28, 2019 By Shahril Salleh ( 1,000 words, 6-minute read) As cultural icons go, very few choirs have the same gravitas and history as the SYC Ensemble Singers...

© » ARTS EQUATOR

about 57 months ago (08/28/2019)

Instructions for reheating: “Forked” by The Finger Players | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 28, 2019 By Nabilah Said (820 words, 5-minute read) In the pre-show for Forked , playwright and performer Jo Tan is warming up, prepping her body...

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about 60 months ago (05/25/2019)

Critics Live: A Post-Show Response to Displaced Persons' Welcome Dinner | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Checkpoint Theatre May 25, 2019 Below is a summary of Critics Live! for Displaced Persons’ Welcome Dinner by Checkpoint Theatre...

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about 63 months ago (03/11/2019)

Weekly Picks: Malaysia (11–17 Mar 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 11, 2019 For events in Penang this week, go to the Penang Free Sheet ...

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about 64 months ago (01/28/2019)

Weekly Picks: Malaysia (28 Jan –3 Feb 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 28, 2019 CounterCartographies Reading — Escobar’s Encountering Development , at Malaysia Design Archive, An initiative to understand visual culture in relation to the politics of space, this monthly group tackles Chapter 2 of Arturo Escobar’s ‘ Encountering Development: The Making and Unmaking of the Third World ’...

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about 64 months ago (01/22/2019)

Seen in New York, January 2019 | Painters' Table Skip to main content Seen in New York, January 2019 Submitted by Paul Corio on January 21, 2019...